Arts  |  Visual Arts  

We are the North from the lens of Chechet

By Tajudeen Sowole   |   02 July 2017   |   1:42 am  

Williams Chechet

The venue is not strange to art appreciation on the Lagos Island hub. But the exhibits, a body of digitally reproduced monochrome photography pieces and the artist, Williams Chechet are clearly on an unfamiliar terrain.

Two men with native wind musical instrument known as Kakaki - captured in Minna last year; portrait of a lady in odd mix of costume and for such a wearer, among other exhibits at the lobby of Moorhouse, Ikoyi, Lagos on a quite evening point to the thematic direction of Chechet’s exhibition. Titled We Are The North, the photography exhibition  brings contemporary contents of digital world into the same medium with nativity of a people who are, perhaps, more proudly African than most tribes on the continent.

And just like Chechet, a graphic artist and his unfamiliar kind of works, the visitors to We Are The North who trickle in during the opening also look like strangers to the Lagos art space. The exhibition adds to the unfolding entrance of new artists and fresh ideas onto the Lagos art landscape. Just few weeks earlier, a group of new artists showed It’s Not Furniture at Omenka Gallery, few minutes drive from Moorehouse.


Apart from its pop art flavour, the digitally collaged images by Chechet, no doubt bring fresh breath into the contemporary photography scene in Nigeria. Despite the fact that some of the original photography works were done by “a friend, Khaleel Yakub,” the conceptual strength of the exhibiting artist being an illustrator is not missing in the body of work.

“It’s illustration inspired by traditional images from the north and Nigeria,” Chechet explains to a guest during the exhibition. “As a graphic designer, I use graphically modified digital image a lot in my general practice, which inspired this exhibition.”

For example, one of the pieces titled HAM, he discloses, was generated having “the glasses and the background digitally infused.” HAM, he says, is a local hero “who rides camel in Minna.” But Chechet’s illustration of the “famous” rider, brings in more visible tools as he costumes the subject in what looks lke welding or diving glasses. In fact, Ham as reimaged by the artist, looks like someone heading for underwater.

Still on the people’s tradition, another work titled Martians, interestingly, is about an old tradition of desert navigators that the artist believes still persists till date. “They guide travellers through the deserts. But the astrological contents, he adds also makes it “futuristic... they are from the Mars hence The Martians.”

Among other captures in digital forms are Ife Head and terra cotta Nok Head As monochromatic as the body of work is, the beauty of digital processing of image is seen in quite some colourful pieces such as Ni Ma, a natively dressed old woman composited with greenish swimming glasses.“I like the mix of photography and popular culture,” Essé Dabla, the curator states. “We started talking earlier this year to have the exhibition.”

In this article:
KakakiWilliams Chechet


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