With A Prince Claus Award For Atiku, Yoruba Content Wins Global Art Space

By Editor   |   13 September 2015   |   12:33 am  
Jelili Atiku, Quest for Gaia, Performance at Centre for Contemporary Art, Sabo, Yaba, Lagos, Nigeria PHOTO: Sabalo Mlangeli

Jelili Atiku, Quest for Gaia, Performance at Centre for Contemporary Art, Sabo, Yaba, Lagos, Nigeria PHOTO: Sabalo Mlangeli

When one of Africa’s most consistent performance artists, Jelili Atiku started taking art into the realm of activism, over ten years ago, imploring Yoruba idioms as themes for his work, he was probably grouped among the class of ‘escapist artists’: his work got little attention. Unperturbed, Atiku kept fate with his calling, reaching the point of a towering figure in the performance art space of Africa and becoming the window to the continent’s conceptual art, across the world.

For followers of Atiku’s art, it did not come as a surprise when one of the world’s revered supporters of the Arts, the Netherlands-based Prince Claus Fund listed the artist among its 2015 laureates. Prince Claus states that Atiku’s work is enriched by the artist’s dual expression in Yoruba and international spaces. For 19 years, the Prince Claus Fund has supported freedom of cultural expression worldwide.

Atiku, b. 1968, is a pioneer of contemporary performance art in Nigeria, writes Sarah Smith of the Communication Department, Prince Claus Fund for Culture and Development. “Atiku has developed an innovative fusion of Yoruba and international performance practices.”

On December 2, 2015, Atiku will join 10 other recipients, including the Principal Prince Claus Laureate, Iranian photographer Newsha Tavakolian to receive the awards from HRH Prince Constantijn of the Netherlands. The ceremony holds in the presence of members of the Dutch Royal Family at the Royal Palace Amsterdam.

Awardees are chosen every year by The independent international members of the Prince Claus Awards Committee. For Atiku, the award confirms the strength in native African narratives, Yoruba specifically. “I feel extremely happy that I won the award and more importantly I feel proud of my culture, the achievement of Yoruba Progenitors and all the people who have contributed to the creative energy of the race, Yoruba and all other tribes in Africa.” He adds that “the award actually signify the enormous positive energy from Africa.”

From his debut E Wa Wo (Come and See): The Awaiting Trial Persons,-in 2005, to subsequent works such as others outside Nigeria, Atiku has leveraged on the richness of themes spiced in deep Yoruba idioms. Perhaps, given the Lagos environment where Yoruba language is predominant, Atiku’s performance works, which are mostly enacted outdoors, get wide audience. More importantly, his works provoke debate, most times directed at insensitivity of politicians and others in state policy making. “Taking to the streets of Lagos or taking over specific sites with his striking costumes and dynamic presentations, he provokes community dialogue and debate on local, national and global issues,” says Smith.

The Prince Claus Fund Gallery in Amsterdam will exhibit works by Principal Laureate Tavakolian from 27 November 2015 – 4 March 2016.

In 2005, Atiku’s art started creeping into the Lagos landscape – Nigeria’s art hub – with the installation, E Wawo… a campaign against prison congestion – held at the Lagos State House of Assembly and in the premises of the Creative Arts Department, University of Lagos, Akoka.

Some of his subsequent works include. Agbo Rago (Ram Ranch) a 2009 project aimed at addressing injustice and inequality, depicting the class system of master-slave mentality; Victim of Political Assassination presented at The Rencontres Internationales Festival, Paris; and Alaagba, a revisit of the geographical cuttings, into pieces, of Africa continent at the Berlin Conference of 1884.



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